Turandot: A Night at the Opera with Christopher Browner ’12

Taft’s popular “A Night at the Opera” program returns to campus April 12 with Christopher Browner ’12, senior editor at New York’s Metropolitan Opera.

Taft’s popular “A Night at the Opera” program returns to campus this week with Christopher Browner ’12, senior editor at New York’s Metropolitan Opera. Browner will take the audience on a journey through Giacamo Puccini's final opera, Turandot; he will be joined by performers from the Met’s young artist program. The event takes place in Taft’s Choral Room on the main campus Friday, April 12 at 7 pm. The program is free and open to the public; tickets are not required.

Turandot is a three-act opera set in China. It tells the story of Prince Calaf, who falls in love with Princess Turandot. To win her hand, suitors must solve three riddles; execution awaits those who answer who do not answer correctly. Despite passing the test, the princess refuses to marry Calaf. As the tale unfolds, Calaf presents the princess with a challenge of her own.

Turandot remained unfinished at the time of Puccini’s death in 1924. The music was completed posthumously by Franco Alfano, allowing for a 1926 debut. Browner’s talk at Taft, along with pieces from the show performed by young Met artists, will serve as an insightful and enthusiastic introduction to Turndot, on stage at The Met through June 7. The show features Franco Zeffirelli’s “dazzling vision of mythic China with soprano Elena Pankratova making her Met debut as the legendary—and lethal—title princess, opposite tenor SeokJong Baek as the valiant prince who puts his life on the line to win her love.”

A lifelong opera fan, Browner still remembers the first show he saw at The Met as a child; he also remembers the seat he sat in.

“As the orchestra was tuning and the chandeliers were rising up to the ceiling, I grabbed my dad’s hand—my heart was beating out of my chest because I was so excited.”

As a Taft student, Christopher went to The Met a dozen or so times each year—even more as a student and opera critic for his campus newspaper at Columbia University. Browner was a music major, and directed operas with student groups. He apprenticed with the Santa Fe Opera, studied Italian, and visited the great opera houses across Europe. His work as a senior editor at The Met is the culmination of a lifetime spent pursuing his passion—one he is thrilled to share each year with audiences at Taft.

Performance photo and show notes courtesy metopera.org

Taft Theater Earns Top Honors
Taft Theater Earns Top Honors

Taft students took home top honors in several categories during this year's Halo Awards. Sponsored by Waterbury's Seven Angels Theatre and presented at The Palace Theater, the Halo Awards celebrate excellence in theater arts productions across Connecticut high schools. More than 40 awards were presented this year to nominees from 64 high schools.

Kaedi Dalley '18 was awarded the 2017 Halo for Best Comic Female Performance in a Musical for her inspired and memorable turn as Donkey in Taft's production of Shrek, The Musical. This was Kaedi's second consecutive Halo, having been named 2016's Best Featured Actress in a Musical for her portrayal of Motormouth Maybelle in Hairspray.

Taft students were also repeat winners in the Fearless category, which honors non-traditional productions that often explore social issues. Raymond Bai '18 directed this year's Fearless Award winner, Dog Sees God: Confessions of a Teenage Blockhead, an "unauthorized parody" that imagines the lives of the characters from the "Peanuts" comic strip during their teenage years. The play debuted in New York in 2004. This was also Taft's second consecutive Fearless Award, with student directors taking home the prize last year for their work on The Laramie Project.

Tafties earned Halo Award nominations in 12 unique categories this year; a complete list of the nominations follows.

Congratulations to everyone involved with all of this year's productions.

The cast of Dog Sees God: Confessions of a Teenage Blockhead

BEST PERFORMANCE BY A FEATURED ACTOR IN A MUSICAL:

Winston Salk '18, Big Bad Wolf, Shrek, The Musical

BEST PERFORMANCE BY A FEATURED ACTRESS IN A MUSICAL:

Marley Thompson '18, Dragon, Shrek, The Musical

BEST COMIC MALE PERFORMANCE IN A MUSICAL:

Peter Dzubay '18 Lord Farquaad, Shrek, The Musical

BEST COMIC FEMALE PERFORMANCE IN A MUSICAL:

Kaedi Dalley '18, Donkey, Shrek, The Musical

BEST LIGHTING DESIGN AND/OR EXECUTION:

Jack Elrad '17, Shrek, the Musical

BEST SPECIALTY ENSEMBLE IN A MUSICAL:

Duloc Citizens in Shrek, The Musical: Nick Baird '20, Sunny Chan '18, Erin Farrell '20, Andrea Gura '19, Joanna Kleszewski '18, Elspeth Leckie '19, Jamie Lenehan '19, Veronica Risucci '18

BEST PERFORMANCE BY A COUPLE OR DYNAMIC DUO OR MORE IN A MUSICAL:

Brady Grustas '19, Shrek and Cami Long '19, Fiona, Shrek, The Musical

BEST FEMALE STANDOUT PERFORMANCE IN AN ENSEMBLE PLAY OR MUSICAL:

Kimberly Wipfler '17, CB's Sister, Dog Sees God: Confessions of a Teenage Blockhead

FEARLESS AWARD:

Dog Sees God: Confessions of a Teenage Blockhead

BEST PERFORMANCE BY A LEADING ACTOR IN A CONTEMPORARY MUSICAL:

Brady Grustas '19, Shrek, Shrek, The Musical

BEST PERFORMANCE BY A LEADING ACTRESS IN A CONTEMPORARY MUSICAL:

Cami Long '19, Fiona, Shrek, The Musical

BEST CONTEMPORARY MUSICAL:

Shrek, The Musical